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One False Move
IMDB Rating: 7.2/10 from 6,862 votes
Release: 8 May 1992 (USA) /

One False Move

Genre: Crime, Drama, Thriller
Director: Carl Franklin,
Stars: , , , , , , , , , , , , , ,
Synopsis: In Los Angeles, after a violent drug rip-off, the Los Angeles Police Department detectives find the identity of the trio - the sadistic I.Q. of 150 and college graduate Lenny "Pluto" Franklyn; his not so bright buddy in San Quentin Ray Malcolm; and his girlfriend Fantasia. Their further investigation indicates that the criminals are fleeing to Star City, Arkanas, and LAPD detective Dud Cole and his partner John McFeely contact the local Chief of Police Dale 'Hurricane' Dixon and they head to the little town. The yokel family man Dale, who is used to resolve domestic issues, is fascinated with the chance to participate of a manhunt and befriends the two detectives. But when he sees the picture of Fantasia, he recognizes her as Lila Walker and is haunted by his past, hiding a secret about Lila Walker. Written by Anonymous

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Critic Reviews


At first glance, "One False Move" would seem to be just one more "cops vs. psycho cocaine killers" movie, but it's actually quite a bit more than that. It shows us what we first take as stereotypes, then throws them back at us: clean-cut, good-looking, intelligent (black) Pluto (Michael Beach) and beady-eyed, slovenly, foul-mouthed, slack-jawed trailer-trash (white) Ray Malcolm (Billy Bob Thornton) are partnered with beautiful black call girl Phantasia (Cynda Williams) in a rip-off of some Hollywood coke dealers. The robbery turns into a horrific massacre--instigated by Pluto, who, it turns out, is a heartless, remorseless serial killer whose few pleasures in life include slicing up his victims with a knife. And, as it also turns out, Phantasia isn't Pluto's girlfriend, as would seem logical, but she's with Malcolm, who looks and acts like he should be on a recruiting poster for the Ku Klux Klan--and who, for all his outward bluster, tough talk and murderous appearance, is actually the weaker of the two men by far, and almost totally under the thumb of the icy, cold-blooded Pluto, of whom he appears (with good reason) to be terrified.

The L.A. police eventually discover the trio's identities, and their investigation leads them to believe that the killers are headed for an Arkansas backwater called Star City, so they send two homicide detectives there to help the local sheriff apprehend them. In this film, though, even the two "sophisticated", big-city cops aren't exactly what they seem, either; one is an easygoing, slow-talking, overweight black guy, the other is a good-looking, stereotypical "Joe Friday" type white guy who, as it turns out, has his own demons to deal with. Even the Star City sheriff, a young, garrulous "bubba" (Bill Paxton, in a first-rate job) excited by the prospect of doing some "real" police work with some "real" big-city cops, turns out to have more of an interest in this case than just a purely law enforcement one.

This is a crackerjack movie, with no big stars but chock full of good, solid character actors, an inventive, well written script (by Thornton) and direction by Carl Franklin that brings to mind the best of Don Siegel, Phil Karlson, Joseph H. Lewis and other noir icons of the '40s and '50s. A clever, sharp, tough (it does contain some quite graphic violence) and twisted--in the best sense of the word--thriller from start to finish. Don't miss it.

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